Busty Bitches With Experience

Director: Unknown
Running time: 93 minutes
Production year: 2014
Genre: Big tits, mature
Cast: Zoey Andrews, Alexis Diamonds, Annabelle Brady, Brooke Tyler, and Desiree Deluca
Condoms: No
Scene one: Zoey Andrews

Zoey Andrews is a nurse whose ample tits are barely contained in her outfit. She’s seeing patient Chris who says that he needed to seek medical help for having an erection longer than four hours. He tells her his is going on more than six and Zoey knows the best way to take care of it. She gets on her knees and uses her oral skills to help with her partner’s erection. That’s only so effective, though, so she climbs on top of him for a cowgirl fuck. It leads into a reverse cowgirl then doggy-style fuck.

Dawna of the Dead (2008)

The dead have risen from their graves and they want to do far worse than just eat her flesh.

The film was extreme in both its graphic sexual content and gore. The makers of the film were obviously lovers of late 70s/early 80's zombie movies and it shows. The movie itself looked like a dirty 16 mm print and the score sounded like Goblin wrote it. The zombies in the film even look like the classic Italian zombies.

Pornography: A Musical (1971)

Comprised of ten short films, including such silent Ole Ege gems as: The Dream Girl (1966), Harem, Spanking (1970), The Pornmodel Ilse (1969), The American Girl (1970) and The Jolly Shave (1964), Crazy Strip (1966), Three Lively Girls (1964), Group Sex (1969), Springtime in Tivoli (1969). All the shorts were shot when porn was illegal so there’s an added naughtiness to the proceedings. One thing that’s constant about Ege’s short-films is that none are at all completely tasteless and it’s apparent with his craftsmanship that Ege’s as much an artist as he is a pornographer. Yes, we are talking porn here.

Ege’s sense of humor is very evident in the shorts as well as his hunger for lingerie clad ladies and good old fashion S&M. Some of the lingerie the ladies wear in Crazy Strip(that they quickly dispose of) are downright goofy. From the goofy to the sultry. He then segues nicely into the very seductive The Dream Girl, which highlights a brunette lovely slowly teasing, smiling and eventually spreading to show her lady bits. It’s all very hot stuff and it's also 40 plus years old too!

Der Todesengel (1998)

Bethmann, who sees himself as a German Joe D'Amato, made with "Todesengel" a really entertaining piece of pure Sleaze. The story is about a raped model (played by porn star Manila May), which takes bloody revenge. A mixture of amateur-gore, bad but entertaining acting, some semi-hardcore scenes, much blood and extremely bad taste.

Sensational Janine (1978)

Sensational Janine is a high quality, plot-driven porn film; and it stands head and shoulders above the vast majority of the genre. 'High Quality' is not a term usually associated with adult films; but it can certainly be applied here as this film is extremely well made and that's one of the things that help it stand out so much. The plot line is very interesting also and the central character is very easy to get along with, which ensures that the film draws you in thanks to the interesting story and not just the sex. As the title suggests, we focus on a young girl named Janine (actually, Josefine) as she goes from being a sweet virgin to a sex hungry Madame. We follow her as she gets her first sexual awakening (watching her parents having sex and later getting it on with her step brother). From there she begins to get more and more curious; and luckily for her, she just so happens to live in a den of iniquity so finding men to practice with isn't difficult, and she's a very willing student...

La Clinique des Phantasmes (1978)

One drunk explains to another how he had to give up his work as a gynecologist because women kept throwing themselves at him.

La Femme Objet (1981)

La Femme Objet is the story of a science fiction writer who is completely addicted to sex. He needs it from morning to night and cannot be in the presence of a woman without making love to her, whether she is asleep, in the process of washing the dishes, or anything else. The story begins with his girlfriends Sabine (Helene Shirley) leaving him, telling him as she parts that she wants to live and his demands are literally killing her. The next girlfriends suffers the same fate, as does the secretary he hires and a woman who is designing sets for the movie adaptation of his latest book. Realizing that no living woman can satisfy him, he sets up a laboratory in the basement and builds a true to life, remote controlled robot woman- his "female object" (Marilyn Jess). At first life is good, as the stunning, busty blonde robot can not speak- and wouldn't complain if she could- and satisfies his every sexual whim. He ironically observes, "She is more feminine than any woman I have ever known".

Vicious Virgin (1971)

Here it is - the film that is rumoured to feature the one-and-only Linda "your mother sucks cocks in hell" Blair. Word has been going around on cult websites that sell notorious exploitation and adult films that when Linda Blair wasn't spewing green puke or being raped by a broom handle, she took part in rough adult films. Of course, that's a load of rubbish, but it is this rumour that has persisted in erecting Vicious Virgin the cult reputation it has amassed today.

Now I can tell you here and now that Linda Blair does not star in Vicious Virgin. You do, however, get a look-alike of her, but whilst the contours of her face in the dark shadows can make one perceive her as Linda Blair, the Linda Blair look-alike is much older than the real Linda Blair, and all assumptions on whether it is her is immediately dashed when the look-alike walks into the light for us to see. Vicious Virgin was made around 1976, and if it did star Linda Blair she would have been aged 16 or 17 - basically underage to star in adult films.

Cabaret Sin (1987)

Taylor, a member of the new Eliminators police force, is sent on a mission to recover a digital decoder that will shut down the renegade police force, droids called reformers led in a revolt by Azteca, but is distracted by reunion with his estranged wife, and various striptease and sex shows at the club.

While the plot may be strictly Blade Runner-ish, the setting is right out of Star Wars and Thunderdome.  Derek’s search for the killer leads him to the Pleasure Dome, a sinful bar/cabaret where the sexually oppressed people of Los Angeles (2020 A.D.) find sexual fulfillment played out on stage, much like the cult-classic Café Flesh.  Dancers turn the exotic into erotic, as Queen Tut (Lori Lovett) bumps and grinds with Tom Byron, and Bunny Bleu. Rolling fog, location shots and the use of many different camera angles and special effects really give this tape a quality feel.

Perverted Stories: The Movie (2003

Three sluts are on their way to a rave up in the mountains in the middle of nowhere. They decide to pick up a weird hitch-hiker (with a facial birthmark and all) who promises to get them drugs. Once at the drug-spot, only one girl is allowed in the house to meet the dealer. The dealer (or actually dealers) turn out to be two old guys who aren't interested in selling - they wanna "trade" for the pills. After these two guys gang-bang the girl, she goes back to her friends with the pills, they all take them, and they all flip out and start seein' all kinds of bugged-out sh!t like giant penises and cooch-monsters, and mutated dick-nosed freaks - all of which they have sex with, of course. The other two girls end up dead and the girl that banged the old guy in the beginning sees birthmark-face banging a dead chick after she has a hallucination about having a three way in a blood-drenched meat-locker...

There's no doubt about it, this is one messed up skin flick. Geriatric tag-team action, dick-faced mountain men, necrophilia, and even some creative genital monsters. If you're looking for something to put on to really spice up your love-life, then this is for you.

The Joy of Torture (1968)

The Joy of Torture is an anthology that is made up three separate stories that all intersect. This film was directed by Teruo Ishii who films The Executioner, The Executioner 2: The Karate Inferno and The Street Fighter's Last Revenge all which starred Sonny Chiba are his most famous works outside of Japan. The film opens up with montage that includes various women being decapitated, burned alive and ripped into two.

The first segment is about Shinza who was hurt while working when a log hit him on the head and now sister Mitsu is forced give herself to her brothers boss Mr. Mino in order to help pay for Shinza's doctors bills. Mitsu agrees to talk to Mr. Mino about her brothers' bill. Only he doesn't want to talk and decides to collect the debt owed to him from even if she was unwilling. Mitsu returns home after being raped by Mr. Mino only to find herself now being violated by her brother who now professes his love for her. They decide to keep their incestuous love a secret until one day when Mr. Mino shows up unexpected and catches them in the act. Mr. Mino threatens to report them o the police if Mitsu doesn't submit to himself once and for all as his mistress.

Angel Guts: High School Co-ed (1978)

This first installment in the ANGEL GUTS series is the loudest and rawest. It focuses on three street punks who behave like Kubrick's Droogs in A CLOCKWORK ORANGE. They spend most of their spare time raping women, harassing women and plotting to rape more women. Their routine is interrupted when one of the trio exhibits a conscience.

Director Chusei Sone employs a rugged, hand-held approach to the material and milks entirely convincing performances from the youthful cast. As rape is a consistent staple of this series, there is plenty of it in this outing, although none of it is pictorially graphic. One nightmare sequence, in which a young woman is stabbed repeatedly in the groin, does possess a poisonous cinematic power.

There is an erotic edge to the film's sexuality and, as per expectations, an emphasis on female underwear and garment tearing.

Plaudits should go to cinematographer Nobumasa Mizunoo who embellishes the film with stark, white-hot visuals and toys with both color and black and white.

The film is a character study of the dangerous miscreants who walk among us and portrays sociopathic behavior as being just one step sideways for most of us.

The Teacher (1974)

18-year-old Sean's first summer after completing high school is much spent with 28-year-old teacher Diane, whose husband is too often motorcycle-racing instead of with her. Wacko Ralph also has "the hots" for Diane; and it doesn't help that Sean was with Ralph's younger brother, Lou, when Lou died.

The Teacher is 1970s sleazy, grimy, soft-core film-making at its best. Writer/director Howard Avedis handles the plot with the casual style you would expect in the free-love 70s when 18 year-olds were treated like adults.

Female Prisoner #701: Scorpion (1972)

After being cruelly set up and deceived by Sugimi (Natsuyagi Isao), a conniving and crooked detective she had whole-heartedly fallen in love with (and subsequently lost her virginity to...), Matsushima Nami's desire for revenge knows no bounds. Her failed attempt at stabbing Sugimi on the steps of the Tokyo Metropolitan Police Headquarters results in her doing hard time in a female prison run by sadistic and horny male guards. To Sugimi's surprise, Matsushima refuses to testify against him and his connections to the mob, and now the sheer fact that she knows such secrets makes her a liability. So Sugimi and the Japanese mafia orchestrate a plan whereby Matsushima will succumb to an "accidental" death in prison. They enlist the help of Kagiri, another female inmate with ties to both Sugimi and the mafia, thus their formidable plan is quickly set in motion. Little do they realize, however, how hotly Matsushima's desire for revenge burns within her.

Shunya Ito's "Joshuu 701-gô: Sasori" aka "Female Prisoner #701: Scorpion" of 1972 is an absolutely brilliant masterpiece of Japanese Exploitation cinema that is not quite comparable to anything else. The WIP (Women In Prison) sub-genre may have brought a bunch of highly entertaining flicks, but each of the four "Sasori" films (all of which were released between 1972 and 1973) outshines any other movie of the kind by a million times. Not only does "Joshuu 701-gô: Sasori", or "Sasori: Scorpion" as it is entitled here, outshine any other kind of WIP flick, this is one of the films that reign supreme in Exploitation cinema generally. More than any other movie, this film combines Exploitation and Art-house cinema, sleaze and artistic beauty in a most unique way. The absolutely divine Meiko Kaji is the star of this unforgettable film and nobody else could have played the leading role of Nami Matsushima aka. Sasori with such brilliance. Not only does she play the lead, Meiko Kaji also sings the beautiful theme song to this film, one of the greatest and most memorable pieces of Japanese film score ever, "Urami-Bushi", which became known to a wider Western audience when Tarantino used it for the soundtrack of "Kill Bill 2".